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Lee jaemin tal piep piep gregor hildebrandt muenchen -
Lee jaemin tal piep piep birdhouse gregor hildebrandt -
Lee jaemin tal piep piep gregor hildebrandt
Jaemin Lee
Piep Piep I (TAL series), 2019
Acrylic, wood, varnish
30 x 16 x 17 cm / 11.8 x 6.3 x 6.7 in
Unique
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With the series TAL, Jaemin Lee has created masks that act as homes in the form of beautiful and terrifying birdhouses. The artistically created small spaces present the world with a fearsome mask, a warning to those who can recognize those faces, that simultaneously give shelter to those whose own homes humanity could destroy. «My intention was to create small spaces where birds can find refuge, opportunities for them to create families and stop the obviously inevitable with my means. And man should not disturb as far as possible. To put it succinctly, I built birdhouses. Moreover, I wanted to cultivate this idea. Worldwide, I have now hung 30 birdhouses on trees by my own hand.» (Jaemin Lee)
Melancholy helps to be creatively and artistically active.
More from Jaemin Lee
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FORSYTHE WORK I
Watercolor on paper / 100 x 70 cm / 39.4 x 27.6 in
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FORSYTHE WORK III
Watercolor on paper / 100 x 70 cm / 39.4 x 27.6 in
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Die größten Enttäuschungen haben ihren Ursprung in zu großen Erwartungen_Relish (The biggest disappointments have their origin in too great expectations, from the series 'My America')
Oil on canvas / 212 x 103 cm / 83.5 x 40.6 in (framed)
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Die größten Enttäuschungen haben ihren Ursprung in zu großen Erwartungen_Doughnut (The biggest disappointments have their origin in too great expectations, from the series 'My America')
Oil on canvas / 132 x 122 cm / 52.0 x 48.0 in (framed)
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Where is my Ken? III
Watercolor on paper / 150 x 106 cm / 59.1 x 41.7 in
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Where is my Ken? II
Watercolor on paper / 150 x 106 cm / 59.1 x 41.7 in
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Sadae Chunwang II (TAL series)
Acrylic, wood, varnish / 35 x 44 x 20 cm / 13.8 x 17.3 x 7.9 in
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Gae (TAL series)
Acrylic, wood, ceramic, hair, metal, feather, varnish / 45 x 16 x 15 cm / 17.7 x 6.3 x 5.9 in
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Sadae Chunwang I (TAL series)
Acrylic, wood, metal, crystal beads, varnish / 30 x 19 x 21 cm / 11.8 x 7.5 x 8.3 in
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Die größten Enttäuschungen haben ihren Ursprung in zu großen Erwartungen_Doughnut II (The biggest disappointments have their origin in too great expectations, from the series 'My America')
Oil on canvas / 207 x 195 cm / 81.5 x 76.8 in (framed)
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sold
Die größten Enttäuschungen haben ihren Ursprung in zu großen Erwartungen_Popcorn (The biggest disappointments have their origin in too great expectations, from the series 'My America')
Oil on canvas / 200 x 128.5 cm / 78.7 x 50.6 in (framed)
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Where is my Ken? VI
Watercolor on paper, mounted on wooden frame / 150 x 106 cm / 59.1 x 41.7 in
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Where is my Ken? V
Watercolor on paper, mounted on wooden frame / 150 x 106 cm / 59.1 x 41.7 in